This collection covers a broad spectrum of Ananda K. Coomaraswamy's
work in the fields of art history, philosophy, religion, and social criticism.
Present in theses papers are typescript drafts, proofs, and revised published
copies of many of his articles and a few of his books (A New Approach
to the Vedas, Time and Eternity, Yaksas). Many retyped
and edited versions of Coomaraswamy's work prepared for the Bollingen Foundation
by Dona Luisa Coomaraswamy after her husband's death may be found with
the manuscripts, as well as many illustrations which accompany the works
that appear in these papers.
In addition, the collection houses an assortment of notebooks, subject
files, and loose notes, correspondence (mostly with colleagues and editors),
memorabilia including a tribute to Coomaraswamy compiled by S. Durai Raja
Singam, a group of photographs and miscellaneous illustrations, a large
group of reprints of Coomaraswamy's articles, plus a smaller group of miscellaneous
printed material. A significant portion of the collection consists of Dona
Luisa Coomaraswamy's writings, notes, and correspondence. Of special interest
is Mrs. Coomaraswamy's correspondence with Wallace Brockway and Alvin Moore
which details her editorial methods in her work for the Bollingen Foundation.
| II. Works |
|
BOX
|
FOLDER
|
CONTENTS |
| |
|
A. Books |
|
2
|
|
A New Approach to the Vedas |
| |
1-3
|
A New Approach to the Vedas. 3 Mss. |
|
3
|
|
Time and Eternity |
| |
1-6
|
Time and Eternity. Chapters 1-6. |
| |
7-9
|
Time and Eternity. Ms. with corrections
and notes. |
|
4
|
|
Yaksas |
| |
1
|
Miscellaneous notes for Yaksas |
| |
2-5
|
Yaksas. 4 various Mss. |
|
5
|
1-2
|
Yaksas Part II. TMs. with corrections |
| |
3
|
Illustrations for Yaksas |
| |
4-6
|
Yaksas Appendices. TMs. with corrections |
|
6
|
1-2
|
Yaksas Part I. Illustrations |
| |
3-4
|
Yaksas Part II. Illustrations |
| |
5
|
Yaksas. Illustrations |
| |
|
B. Articles |
| NOTE: Titles with an asterisk (*) have had
additional copies added, or are new titles, as of Dec. 1996 |
|
7
|
1
|
Abhasa |
| |
1A
|
*Abhilasit~rthacint~mani
and Silparatna |
| |
2-3
|
Aesthetic |
| |
4
|
*Aesthetic of the Sukranitisara |
| |
5
|
Aims and Methods of Indian Art |
| |
6
|
*Ajanta Fresco Fragment in the Boston Museum |
| |
7
|
Akimcanna: Self-Naughting |
|
7
|
8
|
*America and India |
| |
9
|
Ancient Chinese Metaphysics |
| |
10
|
*Andhra Sculptures |
| |
11
|
Angel and Titan |
| |
12
|
The Appreciation of the Unfamiliar Arts |
| |
13
|
Aqa Riza |
| |
14
|
Arabic and Turkish Calligraphy |
| |
15
|
*An Arabic Treatise on Automata |
| |
16
|
*Archaic Indian Terra Cottas |
| |
17
|
Archaic Indian Terra Cottas - Illustrations |
| |
18
|
Ars Sine Scientia Nihil |
|
8
|
1
|
*Art and Craftmanship |
| |
2
|
Art and Swadeshi |
| |
3
|
Art and Yoga in India |
| |
4
|
*Art, Man, and Manufacture |
| |
5
|
Asiatic Art |
| |
6
|
Aspects of Indian Kingship |
| |
7
|
Atmayajna: Self Sacrifice |
| |
8
|
*Athena and Hephaistos |
| |
9
|
Atmayajna: Self Sacrifice - Notes |
| |
10
|
Beauty and Truth |
| |
11
|
*Beauty, Light and Sound |
| |
12
|
*The Bee Song of Sur Das |
| |
13
|
Bhakta Aspects of the Atman Doctrine |
| |
14
|
Bharata's Vina |
|
9
|
1-6
|
*Book Reviews |
|
9A
|
1
|
Buddha and the Gospel of Buddhism |
| |
2
|
The Buddha's Cuda... |
| |
3
|
Buddhist Primitives |
| |
4
|
Buddhist Reliefs... |
| |
5
|
*Buddhist Sculpture |
| |
6
|
The Bugbear of Democracy, Freedom, and Equality |
|
10
|
1
|
Chaya |
| |
2
|
A Chinese Buddhist Water Vessel |
| |
3
|
Chinese Painting |
| |
3A
|
*Chinese Painting at Boston |
| |
4
|
The Christian and Oriental, or true, Philosophy
of Art |
| |
5
|
Citra-Laksana. Reprints |
| |
6
|
Civilization |
| |
7
|
The Coming to Birth of the Spirit |
|
10
|
8
|
"The Conqueror's Life" in Jaina Painting |
| |
9
|
Le Corps Parseme d'Yeux |
| |
10
|
The Dance in India |
| |
11
|
*Dandarasa, Vamsanatin, and Caturasratva |
| |
12
|
Dante's Aesthetic |
| |
13
|
*Dharma |
| |
14
|
Dionysus on the Beautiful |
| |
15
|
Dipaka Rage |
| |
16
|
Divide and Misrule |
| |
17
|
Does "Socrates is old" imply that "Socrates
Is?" |
| |
18
|
*Drawings by Rabidranath Tagore |
| |
19
|
*The "E" at Delphi |
| |
20
|
*Early Arabic and Persian Paitings |
| |
21
|
An Early Cambodian Statue of Harihara |
| |
22
|
The Early Iconography of Sagittarius |
| |
23
|
An Early Illustrated Jaina Manuscript |
|
11
|
1-7
|
Early Indian Architecture I, II, III; Illustrations |
|
12
|
1
|
Early Indian Architecture IV |
| |
2-6
|
*Early Indian Iconography I, II |
| |
7
|
*Early Indian Sculpture |
| |
8
|
*Early Indian Terra Cottas |
| |
9
|
*Early Khmer Head of Visnu |
| |
10
|
An Early Passage on Indian Painting |
| |
11
|
*Early Persian Paintings in America |
| |
12
|
East and West |
|
13
|
1
|
Eastern Religious and Western Thought |
| |
2
|
Eckstein |
| |
3
|
Editorial Letters |
| |
4
|
Education in Art |
| |
5
|
Education in India |
| |
6
|
*An Eleventh Century Silver Salver from Persia |
| |
7
|
Erakapatra Nagaraja |
| |
8
|
Essays in National Idealism |
| |
9
|
Eternal Creation in the Rg Veda |
| |
10
|
*Facial Expression in Indian Sculpture |
| |
11
|
A Feather in His Cap |
| |
12-13
|
Figure of Speech or a Figure of Thought |
| |
14
|
Figures of Speech |
| |
15
|
Five Reliefs from Amaravati |
| |
16
|
The Flood in Hindu Tradition |
|
14
|
1
|
*For an Exhibition of Indian Art |
| |
2
|
For What Heritage and to Whom |
| |
3
|
Foreward to The Gesture Language of the Hindu
Dance |
| |
4
|
The "Four Causes" in the Bhagarad Gita |
| |
5
|
Four Passages in the Aitareya Aranyaka |
| |
6
|
*Frescoes at Elura |
| |
7
|
Further References to Painting in India |
| |
8
|
*Ganesha |
| |
9
|
The Gods of Mahavana Buddhism |
| |
10
|
Gradation and Evolution |
| |
11
|
Gradation, Evolution, and Reincarnation |
| |
12
|
The Grail Motif |
| |
13
|
*The Gudimallan Lingam |
| |
14
|
A Hamsa Laksama Sari |
| |
15
|
Hands and Feet in Indian Art |
| |
16
|
Headless Magicians |
| |
17
|
*Hindi Ragmala Texts |
| |
18
|
*Hindu Sculpture |
| |
19
|
*Hindu Theatre |
| |
20
|
Hindu View of Art: History of Aesthetic |
| |
21
|
Hinduism |
| |
22-23
|
A History of India and Indonesian Art. With
Illustrations |
| |
24
|
Horse Riding in the Rg Veda and Atharva Veda |
|
15
|
1
|
An Icon Pertaining to the Cult of Sri Natha-ji |
| |
2-3
|
Iconography of Dürer's Knots |
| |
4
|
*Identification of "Eine Gotterstatue" |
| |
5
|
*Illustrated Jaina Manuscript |
| |
6
|
*An Illustrated Nepalese Manuscript |
| |
7
|
*An Illustrated Svetambara |
| |
8
|
Imitation, Expression, and Participation |
| |
9
|
Indian Architectural Terms |
| |
10
|
Indian Architecture |
| |
11
|
Indian Art |
| |
12
|
Indian Art (Sculpture, Painting, Architecture) |
| |
13
|
*Indian Art in Boston |
| |
14
|
*An Indian Bronze Bowl |
| |
15-16
|
*Indian Bronzes |
| |
17
|
*An Indian Crocodile |
| |
18
|
The Indain Doctrine of Man's Last End |
| |
19
|
Indian Dryads and River Goddesses |
| |
20
|
An Indian Image of Brahma |
| |
21
|
Indian Images with Many Arms |
| |
22
|
Indian Music |
|
15
|
23
|
*Indian Opinion on the State Regulation of Vice |
| |
24
|
*Indian Origin of the Buddha Image |
| |
25
|
Indian Philosophy and Religion |
| |
26
|
Indian Rhetoric and Dramatic Criticism |
| |
27
|
*Indian Sculpture: A Review |
| |
28
|
Indian Sculpture: Prolegomena 1&2 |
| |
29
|
*Indian Sculptures (Ross Collection) |
| |
30
|
Indian Stone Sculptures |
|
16
|
1
|
*An Indian Temple: the Kandaryo Mahadeo |
| |
1B
|
India's Share in World Civilization |
| |
2
|
The Influence of Greek on Indian Art |
| |
3
|
Inspiration and Participation |
| |
4
|
The Intellectual Operation in Indian Art |
| |
5
|
Intention |
| |
5A
|
Introduction to Indian Art |
| |
6-7
|
The Inverted Tree |
| |
8
|
*Is Art a Superstition or a Way of Life? |
| |
9
|
Isavasya Upanishad |
| |
10
|
An Ivory Casket from Southern India |
|
17
|
1
|
Janaka and Yajnaralkya |
| |
2
|
The Javanese Theatre |
| |
3
|
The Jawbone of an Ass |
| |
4
|
Kamadeva |
| |
5
|
Kha and Other Words |
| |
6
|
Khwaja Khadir and the Fountain of Life |
| |
7
|
The Life of Symbols |
| |
8
|
Lila |
| |
9
|
Literary Symbolism |
| |
10
|
The Loan Exhibition of Kandyan Art |
| |
11
|
*Love (bhatki) and Art |
| |
12
|
Love in Hindu Literature: A Rejoinder |
| |
13
|
Maha Pralaya and Last Judgement |
| |
14
|
Maha Purusa, "Supreme Identity" |
| |
15
|
Mahabharata, Itihasa |
| |
16
|
*Mahatma |
| |
17
|
*Mahayana Buddhist Images from Ceylon and Java |
| |
18
|
Man and Manufacture |
| |
19
|
The Meaning of Death |
| |
20
|
*Measures of Fire |
| |
21
|
*Mechanism and Art |
|
18
|
1-5
|
Mediaeval Aesthetic |
|
18
|
6
|
Mediaeval Theory of Beauty |
| |
7
|
The Meeting of the Eyes |
| |
8
|
The Mirror of Gesture |
| |
9
|
Modern Art Criticism |
| |
10
|
Mudra, mudda |
| |
11
|
*Mughal Painting |
| |
12
|
Mughal Portraiture |
| |
13
|
*The Mystery of Mahadeva |
| |
14
|
*Nagara Painting |
| |
15
|
The Nature of Buddhist Art |
| |
16
|
*The Nature of "Folklore" and "Popular Art" |
| |
17
|
The Nature of Meiaeval |
| |
18
|
*A Nepalese Tara |
| |
19
|
A New South Indian Bronze |
|
19
|
1
|
*Night Effects in Indian Pictures |
| |
2
|
The Nine Planets |
| |
3
|
Nirmana Kaya |
| |
4
|
*Nirukta = Hermeneia |
| |
5
|
Nirvana, Nibbana |
| |
6
|
The Normal View of Art |
| |
7
|
Note on Review by Richard Florsheim of "Is Art
a Superstition..." |
| |
8
|
A Note on Asvamedha |
| |
9
|
Note on the Iconography of the Cock on the Column |
| |
10
|
*Note on the Philosophy of Persian Art |
| |
11
|
*A Note on the Stickfast Motif |
| |
12-13
|
Notes on Indian Coins and Symbols |
| |
14
|
*Notes on Indian Painting |
| |
15
|
*Notes on Indian Paintings |
| |
16
|
*Notes on Mughal Painting |
| |
17
|
*Notes on Rajput Painting |
| |
18
|
Notes on "Savage" Art |
| |
19
|
Notes on Javanese Theatre |
| |
20
|
Notes on the Katha Upanishad |
| |
21
|
Notes on the Study of Indian Art |
|
20
|
1
|
NYU Lecture Notes. Religion: Aesthetic |
| |
2
|
The Old Indian Vina |
| |
3
|
On Being in One's Right Mind |
| |
4
|
On Certain Solar Symbols |
| |
5
|
On Drawing and Painting |
| |
6
|
*On Mughal and Rajput Painting |
| |
7
|
On the Indian and Traditional Psychology |
| |
8
|
*On the Loathly Bride |
|
20
|
9
|
On the One and Only Transmigrant |
| |
10
|
On the Pertinence of Philosphy |
| |
11
|
*On the Study of Indian Art |
| |
12
|
On Translation: Maya, Deva, Tapas |
| |
13
|
One Hundred References to Indian Painting |
| |
14
|
Oriental Aesthetics |
| |
15
|
*Oriental Dances in America |
|
21
|
1
|
*The Origin and Use of Images in India |
| |
2-5
|
The Origin of the Buddha Image. With Illustrations |
| |
6
|
Origin of the Lotus Capital |
| |
7
|
*Originality in Mughal Painting |
| |
8
|
The Origins of Art |
| |
9
|
Ornament |
| |
10
|
Our "Allies?" |
|
22
|
1
|
*The Painter's Art in Ancient India: Ajanta |
| |
2
|
Paintings in the Caves of Ajanta |
| |
3
|
Pali Kannika = Circular Roof Plate |
| |
4
|
*A Pallava Relief: Durg~ |
| |
5
|
"Pantheism," Indian and Neo-Platonic |
| |
6
|
Paravrtti |
| |
7
|
The Part of Art in Indian Life |
| |
8
|
The Parts of a Vina |
| |
9
|
*A Passage in the Uttara-Rama-Carita |
| |
10
|
A Passage on Vina-playing |
| |
11
|
A Pastoral Paradise |
| |
12
|
A Peacock's Feather |
| |
13
|
*The Persian Wheel |
| |
14
|
*The Philosophy of Mediaeval and Oriental Art |
| |
15
|
The Physiognomy of Paintings |
| |
16
|
*Picture Showmen |
| |
17
|
The Pilgrims' Way |
|
23
|
1-2
|
Play and Seriousness |
| |
3
|
Portrait of Gosain Jadrup |
| |
4
|
Portraits of Akbar, Raja Man Singh, and Others |
| |
5
|
Prana-Citi |
| |
6-8
|
Primitive Mentality |
| |
8A
|
*Primordial Image |
| |
9
|
*A Prince of Swadeshists |
| |
9A
|
*Psychical Research |
| |
10
|
Quod Factum est in Ipso Vita Erat... |
|
24
|
1
|
*Ragmala Poems |
| |
2
|
*Rajput Cartoons |
| |
3-4
|
*Rajput Painting |
| |
5
|
*A Rajput Painting |
| |
6-7
|
*Rajput Paintings |
| |
8
|
Rape of a Nagi |
| |
9
|
The Rasikapriya of Kesara Das |
| |
10
|
Ratha-chidra |
| |
11
|
*Reactions to Art in India |
| |
12
|
Rebirth and Omniscence in Pali Buddhism |
| |
13
|
Recollection, Indian and Platonic |
| |
14
|
*References to the Theory and Practice of Art
in the Silpa S~stras... |
| |
15
|
The Reinterpretation of Buddhism |
| |
16
|
The Relation of Art to Life in India |
|
25
|
1
|
Relation of Early Indian and Western Asiatic
Art |
| |
2
|
Relation of Mughal and Rajput Paintings |
| |
3
|
*The Relations of Art and Religion in India |
| |
3A
|
*A Relief and Inscription from Kashmir |
| |
4
|
*A Relief from Persepolis |
| |
5
|
*The Religious Basis of the Forms |
| |
6
|
*The Religious Foundation of Life and Art |
| |
7
|
*The Renaissance of Indian Culture |
| |
8
|
Repentance |
| |
9
|
Repentance, Conversion, and Vision |
| |
10
|
A Reply to Mr. Wadia |
| |
11
|
Responsibility of the English Speaking People |
| |
12
|
Rgveda 10.90.1... |
| |
13
|
The Role of Art in Indian Life |
| |
14
|
A Royal Gesture; and some other motifs |
| |
15
|
The Royal Palaces of Rajputana |
|
26
|
1
|
*Sahaja: A Phase of Hindu Love |
| |
2
|
*Saiva Sculptures |
| |
3
|
Samvega, "Aesthetic Shock" |
| |
4
|
Sankaracarya |
| |
5
|
Saretasam |
| |
6
|
Sarpabandha |
| |
7
|
*Sati: A Vindication of the Hindu Woman |
| |
8
|
The Sea |
| |
9
|
The "Self" in Greek and Indian Metaphysics |
| |
10
|
Shaker Furniture |
| |
11
|
Significance and Character of Indian Art |
| |
12
|
*The Significance of Oriental Art |
|
26
|
13-14
|
Sir Gawain and the Green Knight |
| |
15
|
Some Ancient Elements in Indian Decorative Art |
| |
16
|
Some Early Buddhist Reliefs Identified |
|
27
|
1-2
|
Some Pali Words |
| |
3
|
Some References to Pictorial Relief |
| |
4
|
Some Sanskrit Words |
| |
5
|
Some Sources of Buddhist Iconography |
| |
6
|
*Song-words of a Panjabi Singer |
| |
7
|
The Source of, and Parallel to, Dionysus on
the Beautiful |
| |
8-11
|
Spiritual Authority and Temporal Power |
| |
12
|
Sri Ramakrsna and Religious Tolerance |
| |
13
|
*Srikumara Silparatna |
| |
14
|
*A Statuette of Vishnu from Kashmir |
| |
15
|
A Study of the Katha Upanishad |
| |
16
|
Sukrta |
|
28
|
1-2
|
The Sun-Kiss |
| |
3-6
|
Suayamatrnna... |
| |
7
|
Swadeshi, True and False |
| |
8
|
The Symbolism of Archery |
| |
9
|
Symbolism of the Dome |
| |
10
|
Symbolism of the Sword |
| |
11
|
Symplegades |
| |
12
|
Symptom, Diagnosis, Regimen |
|
29
|
1
|
*The Tantric Doctrine of Divine Biunity |
| |
2
|
Tanukrt |
| |
3
|
*The Task Before Us |
| |
4
|
Tathagata |
| |
5
|
*Teaching of Drawing in Ceylon |
| |
6
|
*The Technique and Theory of Indian Painting |
| |
7
|
That Beauty is a State |
| |
8
|
The Theory of Art in Asia |
| |
9
|
*Three Fragments of Gandhara Sculpture |
| |
10
|
Three Vedic Hymns |
| |
11
|
The Time Factor in Indian Wall Painting |
| |
12
|
The Tiring of the Bride |
|
30
|
1
|
To a Migant Bird |
| |
2
|
Traditional Conception of Ideal Portraiture |
| |
3-4
|
The Trasnformation of Nature in Art I, II |
| |
5
|
*The Tree of Jesse and Indian Parallels or Sources |
| |
6
|
The Tree of Jesse and Oriental Parallels |
|
30
|
7
|
*A Trinity of Fortune |
| |
8
|
Two Mughal Paintings |
| |
9
|
*The Two Painters |
| |
10
|
*Two Pallava Marble Pillars |
| |
11-12
|
Two Passages in Dante's Paradiso |
| |
13
|
Two Rajput Paintings |
| |
14
|
*Two Reliefs from Bharhut... |
| |
15
|
*Two Vedantic Hymns |
| |
16
|
Two Western Indian Manuscripts |
|
31
|
1
|
Unatiriktau and Atyarieyata |
| |
2
|
*Understanding and Reunion |
| |
3-5
|
*Understanding the Art of India |
| |
6
|
*Universal Compulsory Education |
| |
7
|
Upavina |
| |
8-9
|
Usnisa and Chatra: Turban and Umbrella |
|
32
|
1
|
Vaishnava Theology |
| |
2
|
Vasor-dhara |
| |
3-4
|
The Vedic Doctrine of Silence |
| |
5-7
|
Vedic Exemplarism |
| |
8-9
|
Vedic Monotheism |
| |
10
|
*A Very Ancient Indian Seal |
| |
11
|
Vidyapatri Bangiya Padabali |
| |
12
|
*The Village Community and Modern Progress |
| |
13
|
The Virgin Suckling St. Bernard |
| |
14
|
*Visnudharmottara |
| |
15
|
Vocational Manufacture |
| |
16
|
Volupsa |
|
33
|
1
|
The "Webbed Finger" of Buddha |
| |
2
|
*What is Beautiful? |
| |
3
|
What is Civilization? |
| |
4
|
What is Common to Indian and Chinese Art? |
| |
5
|
What is the Use of Art Anyway? |
| |
6
|
What Use is Art Anyway? |
| |
7
|
*Whether Art or Skill |
| |
8
|
Who are the Blind...? |
| |
9-10
|
Who is "Satan" and Where is "Hell?" |
| |
11
|
Who was the Buddha? |
| |
12-14
|
*Why Exhibit Works of Art? |
| |
15
|
Windows of the Soul |
| |
15A
|
*The Word Sth~nam |
| |
16
|
*The Word Vaddhamana |
|
33
|
17
|
Yaksa of the Vedas and Upanishads |
| |
18
|
*A Yaksi Bust from Bharhut |
| |
19
|
A Yaksi Torso from Sanchi |
| |
|
C. Untitled, Unidentified,
Fragmentary |
|
34
|
1
|
Lecture Notes |
| |
2
|
Poetry Translation |
| |
3
|
Replacement for Part III of Why Exhibit... |
| |
4
|
Translation and commentary on Vedic Material |
| |
5-7
|
Unidentified |
| |
8
|
Sculpture of Bharhat |
| |
9
|
Unidentified |
|
35
|
|
Fragments |
|
36
|
|
Fragments |
|
37
|
|
Fragments |
| IV. Correspondence |
|
BOX
|
FOLDER
|
CONTENTS |
| |
|
A. General, A-Z |
|
46
|
1
|
Abell, Walter - TLS (1943) |
| |
|
Ackerman, Phyliss - ALS, TLS (1935) |
| |
|
Aga-Oglu, Mehmet - TLS (1938) |
| |
|
Agrawla, V. S. - 3 TLsS, 2 AlsS (1935-39), TL
from Ananda K. Coomaraswamy (1935) |
| |
|
Ainslie, D. - ACS (n.d.) |
| |
|
Aiyangar, S. Krishasuami - TLS (1928) |
| |
|
Albright, W. F. - TCS (1942), TL from AKC (1942) |
| |
|
Allen, Herbert Warner - ACS (1947) |
| |
|
Alston, R. W. - ALS (1947) |
| |
|
Andrae, Walter - TLS (xerox), ALS (1935-47) |
| |
|
Araramuthan, T. G. - 2 TLsS, ACS (1930-42) |
| |
|
Archer, John Clark - 5 TLsS (1946-47), TL from
AKC (1947) |
| |
|
Armfield, Maxwell - TLS (1946) |
| |
|
Arnheim, Rudolf - AL (fragmentary copy) from
AKC (1947) |
|
46
|
2
|
Bahe, Arnold T. - TLS (1930) |
| |
|
Banon, A. T. - ALS (1913) |
|
46
|
2
|
Bapat, P. V. - ALS (1931) |
| |
|
Battenhouse, Roy W. - ACS from AKC (n.d.) |
| |
|
Bayley, Charlotte - ALS (1924), TL (carbon)
from Assoc. Dir. of the Boston Museum of Fine Arts (1924) |
| |
|
Bearak, Joseph - TLS (1932) |
| |
|
Bender, Harold H. - TLS (1931) |
| |
|
Bethune, A. de - ALS (1943) |
| |
|
Binyon, Laurence - 2ALsS (1927-35) |
| |
|
Bloch, Stella - ALS (1917) |
| |
|
Block, Marguerite - 2 ACsS (1946-47) |
| |
|
Bober, Phyllis Pray - TLS (fragment) (n.d.) |
| |
|
Braybrooke, Neville - 2 TLsS, ALS (1947) |
| |
|
Breton, Oscar - ALS (1937) |
| |
|
Brown, William Norman - ALS (1940), 3 ALsS from
AKC (with replies from Brown added) (1932) |
| |
|
Browne, Maurice - 2 TLsS (1945-46) |
| |
|
Buhot, Jean - ALS (1931) |
|
46
|
3
|
Callisen, S. A. - TLS (1940) |
| |
|
Camden, Carroll - ALS (1946) |
| |
|
Campbell, Ruth E. - TLS (1938) |
| |
|
Carey, Graham - ACS (1940) |
| |
|
Casie-Chitty, Esther - ALS (fragment) (n.d.) |
| |
|
Chadwick, Nora K. - 2 ALsS (1947) |
|
46
|
3
|
Chapin, Helen - ALS, TLS (1939-44) |
| |
|
Christy, Arthur E. - ALS (1945) |
| |
|
Clark, Walter E. - ALS, 5 TLS (1929-1935), ALS
from AKC (1932) |
| |
|
Coit, Dorothy - ALS (n.d.) |
| |
|
Collingwood, R. G. - ALS (1939) |
| |
|
Combaz, Gilbert - ALS (1936) |
| |
|
Contenau, Georges - ALS (1929) |
| |
|
Coon, Carleton S. - 2 TLsS (1940) |
| |
|
Corbiau, Simone - 3 ALsS (1936-37) |
| |
|
Cory, Herbert E. - ACS, ALS (1942) |
| |
|
Courtellemont, Gervais - ALS (1929) |
| |
|
Cousens, Henry - ALS (1928) |
| |
|
Creswell, K. A. C. - TLS (1928) |
| |
|
Cross, S. H. - TLS (1944), TL (carbon) from
AKC (n.d.) |
| |
|
Cushing, Cardinal R. J. - TLS (1945) |
| |
4
|
Damboussoriall, Henry - 2 ALsS (1903-1905) |
| |
|
Das, Bhagaran - 2 AlsS, ACS (1909-1915) |
| |
|
Davids, C. F. Rhys - 2 ACsS, 7 ALsS, Al (fragment)
(1913-41), 2 ACsS, TL (carbon) from AKC (n.d.) |
| |
|
De, Sushil Kumar - 3 ALsS (1932) |
| |
|
de Silva, W. A. - 3 ALsS (n.d.) |
| |
|
Derrick, Paul - TLS (n.d.) |
|
46
|
4
|
Diez, Ernest - TLS, ALS (n.d.) |
| |
|
Dorpnska, Asta - 2 ALsS (n.d.) |
| |
|
Dumont, P. E. - ALS (1939) |
| |
|
Durant, Will - TLS (1930) |
| |
|
Dutt, G. S. - TLS (1932) |
| |
5
|
Eastman, Alan C. - ALS (1940), TL (copy) from
W. Norman Brown (1939) |
| |
|
Eaton, Mildred M. - TLS (1946) |
| |
|
Ecke, Gustav - 4 TLsS (1931) |
| |
|
Edgerton, Franklin - 2 AlsS, 4 ACsS (1931-46),
ALS, ACS from AKC (1938-1945) |
| |
|
Elderkin, George - ALS (1946) |
| |
|
Eliade, Mircea - 2 ALsS (1938-47) |
| |
|
Eliot, T. S. - TLS (1937) |
| |
|
Emmeneau, M. B. - ALS, 4 TLsS (1934-43) |
| |
|
Ettinghausen, Richard - ACS (n.d.) |
| |
6
|
Fabri, C. L. - ALS (1931) |
| |
|
Ferm, V. - ALS (1946), TL (carbon) from AKC
(n.d.) |
| |
|
Fernando, Frieda - TLS (1947) |
| |
|
Finess, Horace L. - TLS (1942) |
| |
|
Finkelstein, Louis - TLS (1941) |
| |
|
Finlayson, H. G. - 2 ALsS (1945) |
|
46
|
6
|
Fleming, D. - ALS (194?) |
| |
|
Fonseka, Lionel de - ALS (1912) |
| |
|
Foucher, A. - 3 ALsS (1926-30) |
| |
|
Fowler, Murray - ACS (1947), ACS (initialed)
from AKC (1941) |
| |
|
Frankfort, Henry - TLS (1943), TL (carbon) from
AKC (1947) |
| |
|
Friedman, Betty Anthony - ALS (n.d.) |
| |
|
Furfey, Paul Hanley - ACS, 2 TLsS (1935-46) |
|
46
|
7
|
Galvao, Fernando T. - ALS (1941) |
| |
|
Gangoly, O. C. - TLsS (1946) |
| |
|
Gardner, Percy - 2 ALsS (1905-08) |
| |
|
Geiger, William - ALS (1932) |
| |
|
Getty, Alice - 5 ALsS (n.d.) |
| |
|
Ghore, Ajit - TLS (1932) |
| |
|
Ghosh - TLS (date torn off) |
| |
|
Gilbert, William H. - ACS (1945) |
| |
|
Gill, Eric - 2 AlsS, TLS (1934-35) |
| |
|
Goetz, Hermann - 11 ALsS, 2 TLsS (1923-38) |
| |
|
Goldston, Edward - TL (signature cut away?)
(1934) |
| |
|
Goloubow, Victor - ACS, ALS (1913-24) |
| |
|
Goodenough, Erwin - TL (carbon) (n.d.) |
| |
|
Gordon, Cyrus - ALS (1942) |
|
46
|
7
|
Gray, Basil - 2 ALsS (1930-35) |
| |
|
Gregg, Richard B. - 6 ALsS (1929-47) |
| |
|
Guenon, Rene - ALS (1938) |
| |
|
Gutmann, Edgar - TL (n.d.) |
|
46
|
8
|
Haas, George - TLS (1918) |
| |
|
Haase, Chas H. - TLS (1940) |
| |
|
Harding, M. Esther - ALS (1936) |
| |
|
Harischandra, W. - ALS (1908) |
| |
|
Harris, Zellig S. - TLS (1943) |
| |
|
Hausfrauen, George Chit - ACS (1941) |
| |
|
Havell, E. B. - 2 ALsS (1907-08) |
| |
|
Hayakawa, S. I. - 2 TLsS (1944) |
| |
|
Heard, Gerald - 2 ACsS, ALS (1943-46) |
| |
|
Heerameneck, Nasli M. - ALS (1935) |
| |
|
Heffer - TLS (n.d.) |
| |
|
Heimann, Betty - ACS (1920) |
| |
|
Heutze, Carl - TLS (1938) |
| |
|
Heyl - TL (carbon) from AKC (1946) |
| |
|
Hiersemann, Karl W. - TC (1941) |
| |
|
Hiranandasastri, J. - TLS (1929) |
| |
|
Hobhouse, Stephen - ALS (n.d.) |
|
46
|
8
|
Hocking, William Ernest - TLS (1942), TL (carbon)
from AKC (n.d.) |
| |
|
Hollis, Howard Coonley - TLS (1934) |
| |
|
Holmes, Mr. & Mrs. - ACS (n.d.) |
| |
|
Holz, R. - TLS (1946) |
| |
|
Honigman, John J. - TLS (copy) (1946) |
| |
|
Hopkins, E. Washburn - ACS, ALS (1926-1928) |
| |
|
Horner, I. B. - 8 ALsS, ACS, TLS (1943-46) |
| |
|
Hull, R. H. - TLS (n.d.) |
| |
|
Hungerland, Helmut - 5 TLsS (1945-47), TL (carbon)
from AKC (n.d.) |
| |
|
Huntley, G. Haydn - ALS (1943) |
| |
|
Hutchins, Robert Maynard - TLS (1945) |
|
46
|
9
|
Iyer, K. Bharatha - TLS, TCS (1944) |
| |
|
Jackson, A. V. Williams - ALS (1932), ALS (draft)
from AKC (n.d.) |
| |
|
Jaeger, Werner - TLS, 2 ALsS (1943-45) |
| |
|
Jayaswal, K. - 2 ALsS (1925-34) |
| |
|
Jayne, Horace H. F. - 4 TLsS (1930-37) |
| |
|
Johnson, Helen M. - 3 ALsS (1931-45) |
| |
|
Johnston, E. H. - ALS (1939) |
| |
|
Johnston, R. F. - 4 ALsS (1915-24) |
| |
|
Jung, C. G. - 2 TLsS (1935-38) |
|
46
|
10
|
Kakuzo, Okakura - ALS (1911) |
|
46
|
10
|
Kale, Shridhar Gorind - TLS (1946) |
| |
|
Kallen, Horace M. - TLS (1943), TLsS (1 copy,
1 carbon) from AKC (1943) |
| |
|
Kanefsky, Lester - 6 ACsS (1944-45) |
| |
|
Kawashima, R. - ACS (1917) |
| |
|
Keith, A. Berriedale - ALS, 2 TLsS (1927-42) |
| |
|
Kelekian, Dikran G. - TLS (1946) |
| |
|
Kelley, Franklin - ACS (1947) |
| |
|
Kelly, Bernard - ALS (n.d.) |
| |
|
Kent, R. G. - ACS (1938) |
| |
|
Kevorkian, H. - ALS, ACS (1944-46) |
| |
|
Killam, Dorothy - TLS (n.d.) |
| |
|
Kneedler, W. Harding - TLS (1946) |
| |
|
Konow, Sten - 2 ALsS (1928-34) |
| |
|
Kramrisch, Stella - 5 ALsS (1928-38) |
| |
|
Kumarappa, B. - ALS (1947) |
| |
|
Kunz, F. L. - 2 TLsS (1946-47) |
|
46
|
11
|
La Drière - ALS from AKC (n.d.) |
| |
|
Ladner, G. B. - 2 ALsS (1942) |
| |
|
Laffitte, N. - TL (1931) |
| |
|
Laird - TL (carbon) (1943) |
| |
|
Lalley, Joseph M. - TLS (1946) |
|
46
|
11
|
Langdon, S. - ALS (n.d.) |
| |
|
La Piana, George - ALS (1934) |
| |
|
Laske, Bruno - TLS (1947) |
| |
|
Law, B. C. - ANS (1943) |
| |
|
Layard, John - ACS, 2 ALsS, 3 TLsS (1945-46),
TL (carbon) from AKC (n.d.) |
| |
|
Lee, Harry B. - TLS (n.d.) |
| |
|
Lee, Sherman E. - ACS, 2 ALsS (1942-46) |
| |
|
Leidecker, Kurt - ALS (1942) |
| |
|
van Lelyveld, Th. - 4 ALsS (1923-31) |
| |
|
Lemay, Reginald - ALS (1938) |
| |
|
Langyel, Emil - TLS (1946) |
| |
|
Lennard, John - ALS (1937) |
| |
|
Levy, G. Rachel - ALS (1946) |
| |
|
Linton, Ralph - TLS (1942) |
| |
|
Lipman, Jean - TCS (1947) |
| |
|
Lodge, J. Ellerton - 3 TLsS (1926-37) |
| |
|
Loomis, Roger S. - ALS (n.d.) |
| |
|
Lorey, Eustaphe - TLS (1933) |
| |
|
Luzac & Co. - TCS, 3 TLsS (1943-47), TL
(carbon) from AKC (1943) |
| |
|
Lynsky, Winifred - ALS (fragment) (n.d.) |
|
47
|
1
|
MacDonald, Duncan B. - 2 ALsS (1941-42) |
| |
|
Mackay, Ernest - ALS |
| |
|
Mairet, Ethel - ACS (initialed) |
| |
|
Maiuri, Amadea - ALS (1939) |
| |
|
Majmudar, Manjulal R. - ALS (1938) |
| |
|
Marshall, John - 4 TLsS, ALS (1928-40) |
| |
|
Masson-Oursel, Paul - ALS (1932) |
| |
|
Math, Ramakrishna - TLS (copy) (n.d.) |
| |
|
May, Herbert Gordon - TLS (1939) |
| |
|
McGorin - TLS (initialed) (1941) |
| |
|
McMahon, A. Phillip - TLS (1941) |
| |
|
McNamara, Joseph L. - TLS (1943), TL (carbon)
from AKC (1943) |
| |
|
Mehta, N. C. - 2 TLsS (1944-47) |
| |
|
Meiss, Millard - 2 TLsS (1940) |
| |
|
Mercer, S. A. B. - ACS (1943) |
| |
|
Meyer, J. J. - 2 ACsS, 2 ALsS (1929-32), TL
(carbon) from AKC (1932) |
| |
|
Misra, Shram Bihari - 3 ALsS (1915) |
| |
|
Mitra, A. K. - ALS (1931) |
| |
|
Mohantal, Madan - 3 ALsS (1930-39) |
| |
|
Montagu, M. F. Ashley - ACS, 5 TLsS, ALS (1943-47) |
| |
|
Morgan, Christiana - ALS (n.d.), ALS from AKC
(n.d.) |
|
47
|
1
|
Mueller, Gustav - ALS (1945) |
| |
|
Müller, Valentin - ACS (1929) |
|
47
|
2
|
Nagsen, K. S. - ALS (n.d.) |
| |
|
Nath, Bhda - ALS (1927) |
| |
|
Nef, John U. - TLS (1946) |
| |
|
Nell, Andreas - 3 ALsS, TL (1947-48) |
| |
|
Nicholson, Reynold - ALS (1914) |
| |
|
Nikhilananda, Swami - 3 TLsS (1943-46) |
| |
|
Nobre, Fernando - 2 TLsS, ALS (1947) |
| |
|
Northrop, F. S. C. - TLS, ALS (1946-47) |
|
47
|
3
|
Obermiller, D. - AL from AKC (1934) |
| |
|
Offner, Richard - TLS (1930) |
| |
|
Ogilvey, H. - ALS (1936) |
| |
|
Ossorio, Alfonso - 2 ALsS (1940, n.d.) |
| |
|
Ouwerkerk, L. C. M. - TLS (1946) |
|
47
|
4
|
Pallis, Marco - ALS (1945) |
| |
|
Panofsky, Erwin - TL to the Editor of Speculum
(n.d.) |
| |
|
Parker, R. A. - 2 TLsS (1946, n.d.) |
| |
|
Petrucci, R. - ACS, ALS (n.d.) |
| |
|
Philip of Quebec - TLS (1946) |
|
47
|
4
|
Pike, Royston - 4 TLsS (1945-46), 2 TLs (carbons)
from AKC (1945-46) |
| |
|
Pillai, M. S. Purnalingam - ALS (1908) |
| |
|
Piotrovski, Z. - TL (copy) (n.d.) |
| |
|
Piper, R. F. - TLS (1946) |
| |
|
Plumer, James Marshall - 3 ALsS, TLS, ACS (1904-1944),
AL (draft) from AKC (1943) |
| |
|
Poleman, Horace I. - TLs, ALs (1934-41) |
| |
|
Pope, Arthur Upham - 11 TLsS (1930-47), 4 TLs
(carbons) from AKC (n.d.) |
| |
|
Pope, G. W. - ALS (1906)</ |
